A documentary about Sam Peckinpah's personal director's cut of his last film The Osterman Weekend (1983); recently restored by film historian Mike Siegel. Siegel documents the discovery and acquisition of the 35mm print after 24 years of unprotected storage; outlining the process of cleaning and scanning the film as well as some assets now lost to time.

For cineasts worldwide Sam Peckinpah is best known for his 1969 masterpiece The Wild Bunch. Yet for the general 'mainstream' audience, the film everybody seems to know when the name Peckinpah is mentioned, is Convoy, Peckinpah's biggest success at the box office. But the entertaining actioner that had turned out to be a commercial winner and a public favorite in fact had a very troubled production history.

A new documentary about Sam Peckinpah's 1974 film 'Bring me the head of Alfredo Garcia'.

A documentary about Sam Peckinpah's "Cross of Iron," shot in Yugoslavia in 1976.

中村庆介（龟梨和也饰）的母亲因被诬陷是杀害女童的凶手而自杀。十二年后，他决定向当年迫害母亲的相关人士复仇，并找出真正的犯人。庆介的目标首先指向了当年报道案件的节目工作人员、主持人以及掌握案件关键的美女姐妹。庆介隐瞒自己的真实身份，接近目标，然后以公开足以导致对方身败名裂的视频威胁对方，让他们帮自己达成心愿。而在接近目标人物——美女姐妹的过程中，庆介爱上了姐妹中的一个人。与此同时，一位关注当时事件的警方相关人也注意到了庆介

When an unscrupulous law officer's underhanded activities are uncovered by a movie film crew, people begin to disappear.

Plot TBA. Described as a Giallo film.

A documentary about the making of Sam Peckinpah's last western, "Pat Garrett and Billy the Kid" (1973).

A former bomb squad leader comes out of retirement to investigate a series of bombings plaguing Seattle.

Alan's life flashes before his eyes- but it's a sloppy sizzle reel. He demands a re-cut from God, a dizzy Hollywood producer, but God has trouble focusing